THE GOLDEN THREAD. Australian Pavilion at 54th International Art Exhibition – La Biennale di Venezia

The official Australian representation at the 54th International Art Exhibition – La Biennale di Venezia is Hany Armanious with The Golden Thread; curated by Anne Ellegood, Senior Curator at the Hammer Museum in Los Angeles. Based in the process of casting, Armanious’s sculptures present a double take on objects ranging from ancient history to the everyday. His meticulous casts of found objects—usually redundant or discarded items that feature the wear and tear of their past lives—are deliberately created in non-precious materials, most commonly polyurethane resin. The Australian Pavilion will feature a series of eleven works, mostly new, and a few older pieces.

Sydney-based artist Hany Armanious was born in 1962 in Ismalia, Egypt. He received his Bachelor of Visual Arts at the City Art Institute in Sydney in 1984. He has presented solo exhibitions at the Contemporary Art Museum in St. Louis, Missouri (2008); the City Gallery in Wellington, New Zealand (2008); the Institute of Modern Art in Brisbane (2006); and the Hammer Museum in Los Angeles (2001), among others. His work was also presented in solo exhibitions at galleries around the world, including Foxy Production in New York (2010, 2007); Galleria Raucci/Santamaria, Naples, Italy (2009); Roslyn Oxley9 Gallery in Sydney (2009, 2006, 2004, 2003); and Michael Lett Gallery in Auckland (2008, 2006, 2004, 2003).  His work was included in the Busan Biennale, Korea (2006), the Johannesburg Biennale (1995), the Venice Biennale (1993), and the 9th Sydney Biennale (1992) and is in the collections of the National Gallery of Australia in Canberra, Queensland Art Gallery in Brisbane, Museum of Contemporary Art in Sydney, Auckland Art Gallery in New Zealand, the Museum of Contemporary Art in San Diego, California, and the private collection of Dakis Joannou in Athens, Greece.

The Golden Thread